LYON has transparent highs, broad and articulate mids, and adjustable low-mids to handle any desired punch. The band's performance was outstanding as well, and with that combination I felt like I could take the audience anywhere I wanted.”
Carl DavinoFOH Engineer, The Replacements
Meyer Sound systems made sure the two main stages at Boston Calling Music Festival were loud and clear. On the Red Stage, the LYON linear sound reinforcement system made an impression on the FOH engineers, many mixing on this new Meyer Sound system for the first time.
“That rig really rocked,” says Carl Davino, FOH engineer for The Replacements. “LYON has transparent highs, broad and articulate mids, and adjustable low-mids to handle any desired punch. The band’s performance was outstanding as well, and with that combination I felt like I could take the audience anywhere I wanted.”
The Red Stage’s 24 LYON linear line array loudspeakers were augmented by 12 1100‑LFC low-frequency control elements and three 700-HP subwoofers, plus four UPJ-1P VariO loudspeakers for front fills. A Galileo Callisto loudspeaker management system with four Galileo Callisto 616 and two Galileo Callisto 616 AES array processors provided system drive and optimization. Stage foldback was supplied by 10 MJF-212A and four MJF‑210 stage monitors.
The LYON system helped solve an acoustical challenge at the Red Stage, according to Scott Tkachuk, CTO and touring operations director for Atkinson, N.H.-based Rainbow Production Services, and system designer for both stages.
“The stage was aimed at City Hall, 400 feet away, with huge reflective surfaces,” explains Tkachuk. “Yet the system still had to cover the VIP section in front the building, almost 200 feet away. The way LYON handled it was amazing. The sound in the VIP section was clear and comfortably loud, with full bandwidth. We also had all the control we needed to minimize any annoying buildup from reflections.”
The Red Stage alternated performances with the Blue Stage, which featured 28 MILO loudspeakers, 24 700-HP subwoofers, four UPA-1P loudspeakers for front fill, and a Galileo loudspeaker management system with two Galileo 616 processors. Stage side-fill comprised two 700-HP subwoofers and three MICA line array loudspeakers per side.
Rainbow Production Services also supplied each stage with two Avid VENUE Profile consoles for FOH and monitors, as well as eight channels each of Shure UHF-R wireless microphones and Sennheiser ew 300 IEM G3 systems.
Along with The Replacements, performers on the Red Stage included Lorde and The 1975, while the Blue Stage featured headliners Nas with The Roots, The National, and Childish Gambino.